Also known as Red Riding Hood, Year 2000, this Hungarian/Canadian co-production is not for children. Director Marta Meszaros again dwells upon the travails of women trapped in oppressive society. This time, the Red Riding Hood legend is used metaphorically within the framework of a quasi-futuristic storyline. The "wolves" are of the human variety, and "friendly hunters" few and far between.
This is a weird and sometimes disturbing take-off on the beloved fairy tale. In this one, the main girl is far more whiny and petulant. She has a boyfriend (who is somehow able to come and go into the forest from the city with no visible means of transport) and she is able to communicate telepathically with the wolf. There is a sub-plot about the girl's divorced parents which doesn't really make sense and the film features a very odd development towards the end. The forest scenery is gorgeous and the film is professionally made but it's hard to tell if this was made for kids or not as it contains so many odd and questionable elements. It's definitely not the story that most people grew up with.
观众对《再见，小红帽！[电影解说]》的评价两极分化，一方面认为剧情离谱、演员表现惊艳，另一方面认为编剧粗制滥造、剧情不合理。
它是一部值得一看的电影，通过其故事和表现手法，让观众反思剧内向观众表达的意义和人性的复杂！
这是一部非常特别的影片，没有大开大合的剧情，没有博人眼球的类型元素，没有贯穿到底的故事脉络。像是一杯温开水，看似平淡，却喝起来十分解渴。
说真的，《再见，小红帽！[电影解说]》看完后我真的是久久不能平静！因为这部影片确实带给人的震撼太大了！不论是剧情节奏，还是剧情尺度，都让人不敢相信这是加拿大剧的水平。
充满了各种自相矛盾的观点，以及对人性的各种颠覆解读，看一遍绝对不过瘾。你每刷一遍，都能对人性有新的认知。
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